The 2026 High Desert Play Development Workshop
The High Desert readings will take place March 6-8, 2026.
This year, we celebrate 20 years of the High Desert Play Development Workshop, and we honor the life of one of High Desert’s founders, Dr. William Storm.
The current High Desert committee consists of: Daniel Aguilera, Erick Granillo, Lisa Hermanson, Larissa Lury (chair), Bobbi Masters, Rachel Maze, and Alex Smith.
SCHEDULE:
Friday, 3/6 7pm A Little Brown Girl Crosses a Silly Little Line by Alexis Elisa Macedo
Saturday, 3/7
3-4:15pm Excerpts and Shorts by Local Writers
4:30-5:30pm Excerpts and Shorts by Local Writers
5:30-7pm Dinner Break 7pm a river, its mouths by Jesús I. Valles
Sunday, 3/8
1:30pm Celebration of Bill Storm
2pm Middle School Shorts
3:30pm Monologues
TICKETS:
$10 GENERAL ADMISSION FOR THE WHOLE FESTIVAL. One ticket is good for as many readings as the audience member wants to attend. https://nmsutheatre.ludus.com/index.php
THE LOCAL WORKS:
A Picture of a Woman on an Island by Lucene Drissell
A Simple Boon by Hyacinth Faye Panganiban
Sitting Naked by the Phone by Maria Torres
I Forgot to Hide Daryl by Drea Hurell
Old Friends by Mary A. Rogan
Paper Crutches by James Jerome
Rey De La Luna by Diego Muñoz Holguin
The Book of John by Alycia Herrera
MORE INFO ON THE FULL-LENGTH PLAYS & GUEST WRITERS
a river, its mouths
by Jesús I. Valles
Struggling with severe depression, You return to your hometown in Texas, right by the river that raised You, right on the border with Mexico. It’s the summer of 2019 and the Rio Bravo keeps claiming migrants’ lives during their perilous crossings. However, the people in your hometown are much more interested in talking about "The Rio Grande mermaid,” a creature rumored to haunt the river, clawing its way out of the sand, out of the water, into the air, into your head, haunting the mouths of family, friends, and strangers. Something in the water calls to You. “Come,” the river says, “Come to me.”
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A Little Brown Girl Crosses a Silly Little Line
by Alexis Elisa Macedo
Coming from a long line of superheroes disguised as campesinos, Maricela dreams of the day she’ll have the super powers her family has hidden. When Maricela is taken out of the fields and put into public school her family is terrified that their secret identities will be revealed. Maricela’s world is shattered as she struggles to fight for what she believes is right in a world she doesn’t understand. Blending childhood imagination with harsh reality, Macedo’s play redefines heroism, honoring the daily resilience, tenacity, and determination of Mexican immigrants that make them everyday heroes.
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GUEST WRITER BIOS
Jesús I. Valles (they/them) is a queer Mexican immigrant, educator, writer-performer from Cd. Juarez/El Paso. Jesús is the 2023 Yale Drama Series winner (Bathhouse.pptx), selected by Jeremy O. Harris, the 2022 Emerging Theatre Professional awarded by the National Theatre Conference, and the winner of the 2022 Kernodle Playwriting Prize (a river, its mouths). Their playwriting work has also received awards and support from OUTSider festival, Teatro Vivo, The VORTEX, The Kennedy Center, New York Theatre Workshop, The Latino Theatre Co. at the LATC, and The Flea. As an actor, they are the recipient of four B. Iden Payne Awards, including Outstanding Lead Actor in a Drama (2018), and Outstanding Original Script (2018) and they were nominated for the Mark David Cohen New Play Award for their play, (Un)Documents. They also starred as (not) Penny Marshall in New York Theatre Workshop's Pinching Pennies with Penny Marshall: Death Rituals for Penny Marshall, written by Victor I. Cazares. Jesús a 2021 CantoMundo fellow at the Palm Beach Poetry Festival, a 2021 Lambda Literary fellow, a 2019 Walter E. Dakin Playwriting Fellow of the Sewanee Writers’ Conference, a recipient of the 2019 Letras Latinas Scholarship from the Community of Writers’ Poetry Workshop, and a 2019 poetry fellow at Idyllwild Arts Writers Week. Jesús is also a 2018 Undocupoets Fellow, a 2018 Tin House Scholar, a fellow of The 2018 Poetry Incubator, and the runner-up in the 2017 Button Poetry Chapbook Contest. Their work has been published in Shade Literary, The Texas Review, The New Republic, Palabritas, The Acentos Review, Quarterly West, The Mississippi Review, Palette, The Adroit Journal, BOAAT, The McNeese Review, and PANK. Their poetry has also been
featured on NPR’s Code Switch, The Slowdown, The BreakBeat Poets' LatiNext Anthology, the Best New Poets 2020 anthology, and the anthology, Somewhere We Are Human.
Alexis Elisa Macedo - worth every letter - is an unapologetic, produced, and published Chicana playwright, producer and performer. She’s a National Theater Institute Alum (Spring ‘20, Theatermakers ‘22) and has her BA in Theater Arts - Acting Emphasis (Fresno State ‘21) Macedo is a Latinx Playwrights Circle Intensive Mentee and was awarded the Sewanee Writers’ Conference - SolProject Fellowship, Individual Artist Fellowship from the California Arts Council; and is a Member of the Miranda Family Fellowship Advisory Board, where she heads the Big/Little Mentorship Program. Her recent acting credits include: Fatso Goes to McDonald’s (PVD Fringe), Someone Will Remember Us (Trinity Rep), L.A. Muerta (Teatro Chelsea), Yerma in Vitro (Dramatic Question Theater) Her play credits include: CHICANA LEGEND (The Fools Collaborative, SheATL) Red Hood(ie) (Lime Arts Productions 20x20 Fringe, published by Next Stage Press,) and, Under the Sheet (Moxie NYC Arts). Macedo is currently the Education and Outreach Coordinator for Teatro ECAS, non-profit, bilingual theater in Providence, Rhode Island. You can find more of Macedo’s work on Youtube, NPX and her website. www.alexiselisamacedo.com Not too bad for a little brown girl from Reedley, California.
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Playwrights in Residence
Bi-annually, we solicit plays for the program from 15-20 nationally renowned and emerging playwrights. Two of those plays are selected for a developmental workshop and reading.
The playwrights each spend a week in residence in Las Cruces, workshopping their play with a director, actors, and at times a dramaturg. Most of the collaborators are NMSU students, faculty and staff. The workshop culminates in a public staged reading.
Following the reading series, one of the two scripts is frequently selected for a fully-mounted production the next season, with the playwright in-residence for one or two weeks of the rehearsal/performance process.
Although it is not a requirement for the plays we workshop, in keeping with NMSU's role as a Land Grant Institution, HSI and MSI, we are particularly excited about plays that feature characters whose history and culture represent our Southwest borderland region.
The program exists entirely to serve the needs of the playwright, and the experience of the students involved. As such, the workshop does not require submission fees; NMSU/High Desert does not claim ownership or a future in the play; feedback is offered to the playwright only as requested; and the playwright is allowed to classify the play as either a workshop production or as a world premiere as they see fit.
Although High Desert does not accept unsolicited scripts for the Playwrights in Residence program, if you are a playwright and are interested in being considered for the program, please get in touch.
Local Writers
In recent years, we’ve launched a new component of High Desert featuring short plays and excerpts from full length plays by students and writers local to the Las Cruces area. We look forward to meeting more local writers and helping to cultivate new plays in our community. Local writers may submit without an invitation.
Writers local to Las Cruces, please submit your short plays (ten minutes or under), as well as short excerpts from full-length plays by emailing them to Professor Larissa Lury at llury@nmsu.edu and completing this online form by December 1st, 2025 for full consideration. One submission per writer, please.
Submissions from playwrights outside of the Las Cruces area:
The invitation and submission dates for the playwrights in residence have passed for this cycle. Due to our small pool of readers and limited time, we cannot accept unsolicited submissions. However, if you have a play you would like considered in future years, please reach out to Professor Larissa Lury at llury@nmsu.edu.
Past Seasons
NMSU Theatre’s Spring 2024 High Desert Festival included readings of La Manda by maiya a. corral, and untitled anthropocene play: a meditation on life cycles and immortal jelly fish (which became Wave after Wave) by Benjamin Benne, as well as ten-minute plays and excerpts by: Ben Curnutt, James Fritz Jerome, Vida Vee Isabella Montoya, Austin Reeve, Mireya Sánchez-Maes, and Rissa Wooldridge, and monologues by students in the semester’s playwriting class.
In Fall 2022, NMSU Theatre Arts produced Big Frog by Dylan Guerra, which originally came to the department as a submission for High Desert.
In Spring 2021, High Desert produced a staged reading of Deal Me Out by MJ Halberstadt, as well as readings of ten-minute plays and excerpts from plays by: Bob Diven, Jeffrey P. Colin, Dominique Gomez, Riley Samuel Merritt, Tristan Mitchell, Elia Vasquez, and Peyton Womble.
2019’s High Desert featured readings of Intelligence by Helen Banner, as well as End of the Exodus by Hannah Benitez. While the pandemic left the department unable to produce one of the plays in the following season, NMSU Theatre Arts and American Southwest Theatre Company commissioned Hannah Benitez to create a virtual work, Tracer, which was produced in the 2020-21 season.
2018 High Desert workshopped two plays: three girls never learnt the way home by Matthew Paul Olmos and The Uses of Enchantment by Gregory S. Moss. Both plays were presented as staged readings in March, 2018. NMSU also produced Olmos’ that drive thru monterey in 2025.
In spring of 2016 readings of both In Loco Parentis, by Adam Kraar, and Tori Keenan-Zelt’s Truth Dare… were produced and in spring of 2017. NMSU Theatre fully produced Truth Dare… as a fully staged production the following season.
In January, 2014, the workshop produced readings of For the Falls, by Emily Dendinger and West Highland Way by Meridith Friedman. The NMSU Theatre 2014-2015 season opened with West Highland Way.
In Spring 2010, High Desert produced a reading of Balls, by Jonathan Yukich, and produced Carol Carpenter’s Good Lonely People in Fall 2011.
In Spring 2012, Carol Carpenter’s Sweet, Sweet Spirit and Andrea Stolowitz’s Antarktikos were workshopped; Sweet, Sweet Spirit was fully produced in Fall 2012.
In 2008 there were staged readings of Lydia Stryk’s On Clarion and Matt Casarino’s Pixie. Pixie was chosen for full production in 2009.
The 2006-2007 inaugural season included Penny Penniston’s Spin and John Walch’s The Nature of Mutation. The Nature of Mutation was fully-produced by New Mexico State University Theatre Arts in March, 2007.
